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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 5 No 2 (2020): Open Issue" : 8 Documents clear
Eksplorasi Reka Struktur Pada Pemanfaatan Limbah Kain Twill Gabardine Liandra Khansa Utami Putri; Dian Widiawati
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2944

Abstract

Starting from the phenomenon of increasing patchwork waste generated from garment factories or the so-called convection industry in DKI Jakarta, according to the Ministry of Industry (2020) in Indonesia there are 1,535 factories which are still actively producing and also have a variety of patchwork waste . During the production period, it will produce a large amount of solid waste due to high sales. According to the survey data one of the research sites is the convection industry / garment factory PT. Farah Textile, located in East Jakarta, where there is a waste waste in the factory which amounts to approximately ± 750 kilo grams per month, waste wastes produce various kinds of pieces. Not all types of waste can be sold. While factory workers are less than optimal in utilizing the remaining patchwork waste, so there is a lot of patchwork waste left over and cannot be treated. The data collection methodology in this study uses a qualitative approach and an experimental method. There will be several stages of research to be carried out, in order to complete the data for research. Qualitative approaches and experimental methods will be applied to this waste research study. From the design process to be achieved in order to be able to reprocess the waste patchwork variant, so that it becomes a material sheet that is made optimally, into a fashion product concept and also produces good economic value. In making a fashion product that is used as a business opportunity, to increase the economic value of a product made (up-cycled). Aim to maintain the environment and create a zero waste product. The results of this exploration study aim to be able to treat the waste waste that is quite a lot in the factory environment, with different sizes and has been classified according to needs. With the aim of creating a new sheet of fabric and can be applied to a fashion product.
Fashion Sebagai Perlawanan dan Media Komunikasi Maradita Sutantio
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2384

Abstract

This article examines the function of clothing and fashion products, which not only serve as a means of body protection - they can also be a means of communication and resistance. Fashion symbolically constructs collective myth which describe a marker of situations in various eras. This includes the emergence of the phenomenon of slow fashion and sustainable fashion which emerge as a form of resistance to the fast fashion wave in the fashion world. This system emerged from developed countries from America, England, Europe and Australia with standards arranged in a circular system. Sustainable fashion is considered a solution to the imbalance of the fashion product industry system. In the collective cultural awareness, fashion uses language and special markers outside of its main function as body armor, fashion also constructs signs within the wearer as an entity capable of communicating as a whole. Thus, it is identified as an independent and single product which is associated with its own meaning. Using Roland Barthes’s theory, this article shows fashion consists of language making and consumer expressions in the guise of consumerism, materialism, commercialism, and the marketing wave of fashion, so that we hardly realise that we have put primordial human things aside.
Cover Volume 5 No 2 December 2020 Editorial Team Jurnal Rupa
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.3661

Abstract

Sengkalan Memet Pada Cagar Budaya Cirebon Agus Dody Purnomo; Ardianto Nugroho; Anggoro Cipto Ismoyo
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2819

Abstract

In Javanese culture, a symbol has become a common media to describe historical events. One of the symbols used to describe it is Sengkalan Memet. Sengkalan Memet consists of three elements, visual, Sengkalan sentences, and the number of years of important events happening. Sengkalan Memet consists of pictures configuration, statue, or even a building. Keraton Kasepuhan Cirebon dan Taman Sunyaragi is one of the cultural heritage places that have Sengkalan Memet. The study is to explore Sengkalan Memet and the meaning in the Keraton Kasepuhan Cirebon and Taman Sunyaragi. The methodology implemented in this study is using a descriptive qualitative method. This study is expected to be an added value for artists, architects, designers and creative industries to take advantage of local wisdom. Furthermore this study can be used as an approach for design in this global era.
Colophon Editorial Team Jurnal Rupa
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.3662

Abstract

Estetika Visual Sampul Album Grup Musik Folk di Indonesia Syarip Hidayat; Maha Fadillah Rachman
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2740

Abstract

The development of indie music in Indonesia, which continues to create works of music, express their idealism and expression through songs, disseminating it to the general audience of Indonesian music listeners. The role of graphic design is important in make an image and identity of a musical work, especially in a music album. Folk music in various forms in the cover of his album. This questioned how the actual characteristics of a folk music as outlined in the visuals of an album cover. Visual artwork is used as promotional needs, such as in album covers, posters, merchandise. Visual aesthetics on the cover of folk music albums in Indonesia from the results of the analysis of several album cover design works that were released in different years namely Nowhere to Go in 2009, Roekmana's Repertoire in 2013, and Broken Growing Missing Change in 2016. Difference in years this release has different concepts, references, and music. Analysis found in the visual works of folk music album covers features illustrations that illustrate visuals about the story and the contents of the album that differentiate it from other genre music groups that provide visual photos of the personnel or visuals that do not adequately describe the contents of the album. Visual a folk music cover will indirectly describe and tell the music, the contents of the song, as well as the atmosphere that was delivered by the music groups. Keywords: Visual Aesthetics, Folk Music, Album Cover, graphic design
Studi Gaya Desain Eklektik pada Interior Sagoo Kitchen di Bandung Lisa Levina Jonatan; Stella Sondang
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.1404

Abstract

In the current global culture continues to run with the concept of modernism that form follows function and formalism, there are some people who choose a lifestyle that is the opposite of postmodernism. Meaning of postmodernism is so diverse that the key concepts necessary to identify, one eclecticism. Eclecticism concept is translated into the term double-coding or double meanings (both directions) where the realization of aesthetic language idioms associated with the new aesthetic.The approach is made to the object of study, Sagoo Restaurant in analyzing the meaning of philosophy and the visual design of interior space.
Kajian Karya 'Hama Memberkati' dengan Teori Kematian Metanarasi Zefanya Silva
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2923

Abstract

Postmodern is an era after the Modern Era that is marked with some amount of transformations in science, literature, and arts. Every work of art, by many ways, must have contained some postmodern concepts. This writings will specifically talk about Natasha Tontey’s work titled ‘Pest to Power’ and will uncover every postmodern concepts and theories that are used in the artwork. This research will use qualitative methods with data from books, journals, magazines, and articles from the internet that contain postmodern concepts and the work ‘Pest to Power’. In conclusion, this research shows that ‘Pest to Power’ adopts the death of metanarratives concept as the artwork’s base and it expresses rejection towards absolute anthropocentrism. ‘Pest to Power’ also uses camp and simulacra concepts.

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